Quite some time back, I went to a bookshop reading by Marina Benjamin, author of the remarkable “Insomnia.” Quoting Miles Davis on how he “plays what’s not there,” that is, invented new forms of music, Benjamin observed that writers find the idea of writing what’s not there (that is, inventing new fields and forms of writing) as “very seductive.” My immediate excited thought was: can I frame my nearly-dead Cranes book as a new way of writing about birds and birding? One reason this notion is “seductive” to me is that I now know (and this has taken me years to realise) that the normal books about birds are not ones in which I can shine. I’m neither a good birder, nor a naturalist, nor a travel writer.
But if I reframe the project and the book, can I create something worthy? Can I save the world?
Out of that bookshop brain niggle came my 15 Cranes in the Anthropocene idea. More on that later.